•Quest For Odyssey Campaign • Creative Concept • Directing • Photography • Production•
•Quest For Odyssey Campaign • Creative Concept • Directing • Photography • Production•
•Unrequited Love • Creative Concept • Photography • Production•
•Unrequited Love • Creative Concept • Photography • Production•
Like An Alien • Creative Concept • Photography • Production•
Like An Alien • Creative Concept • Photography • Production•
Bambino • Creative Concept • Photography • Production•
Bambino • Creative Concept • Photography • Production•
Unknown Couples, 2016 - Present
The Unknown Couples is a photographic series that began in Glasgow in 2016. It was inspired by a moment when I noticed two young people sitting side by side on a bridge, their backs turned to me. I found it fascinating how, as a passerby, I paused to observe this intimate moment and instinctively labeled it as romantic—though I rarely had enough time to truly see if their affection was real.
In the brief moments—or sometimes mere seconds—I had to photograph them, I often wondered who they were, what their relationship was like, and how it might evolve over time. As a hopeless romantic, I imagined them as couples who, somewhere in the world today, continue to share beautiful, everyday moments together.
Since that first photograph in Glasgow, I have continued capturing Unknown Couples across the globe—in places such as Paris, Athens, and Cornwall—exploring these fleeting glimpses of connection wherever I go.
Sweet VS Rough • Creative Concept • Photography • Production•
Sweet VS Rough • Creative Concept • Photography • Production•
Lost In Translation, 2020
This year has left us all feeling isolated and confused, and I’d be lying if I said the times I had to pick myself up from the ground were few. I know many close to me have felt the same—each individually battling their own demons.
This photographic series is an ode to the complex range of emotions we’ve all experienced over the past year: pain, eagerness, joy, inner peace, confusion—how perplexing and complicated life can be. Yet, Lost in Translation is not just about this complicated state of being. It’s also a deep longing for connection and unity.
Perhaps we don’t have to face life alone.
Perhaps when we speak our truth, things begin to make more sense.
Perhaps we are stronger than we realize.
Actually, on that, I am certain.
Norwegian Wood, 2021
I’m not quite sure how to explain this, but I was walking my dog at the park near my house, and I came across these tree barks that made me feel very, out of the blue, melancholic.
I went really close to one particular one, and while I was observing its flaky surface, all of a sudden, what I have been feeling like all these months started to settle.
I thought these trees have such deep roots, as they are connected, in this invisible network. Yet, they stay rooted to the ground, enduring rain, wind, and time; always in the same scenery, with nowhere to go and no way out.
I thought about how we have been living in these confined spaces for months, lacking human touch, breathing in and out our meaningful existence.
I ran home and grabbed my camera, and for a moment, I felt as though I was paying tribute to these trees' life.
I felt as though, somehow, I was honouring their existence.
What I Found in the Water, 2019
I constantly look at the future like a thunder on the horizon.
They say a thunder never hits the same place twice, but my concerns of what is to come as I stay on the same spot, are constant and repetitive.
As though being hit multiple times.
As though I died and came back to life, over and over and over again.
People around me tell me to relax, but I don’t know how.
I’ve always had this electric current pulsing through my body, and everything I touched burned, and came back as energy within me.
The future. the future. the future.
Is it possible that we sometimes think about it too much? So much that we forget of the now. the now. the now.
I wonder how we'd feel if we were able to see those fleeting moments of time pass in front of our eyes. Would that make us more relaxed or nervous?
I don’t know.
I want to float on water.
Yet, the thought of being electrocuted takes over me.
Identity: Restored, 2018
Identity: Restored (2018) is a photographic series that documents and explores the evolving identity of a young man navigating Greek society. By challenging traditional male stereotypes and societal expectations, he invites viewers to reflect on their initial perceptions of him and the complex questions his journey raises.
Did he begin expressing himself flamboyantly only to eventually conform to societal norms? Which image in the series appears more “normal” or “acceptable”? And ultimately, which photograph captures the moment his identity is truly “restored”?
I Wait For You In a Bathtub Full of Tears, 2018
I Wait For You in a Bathtub Full of Tears (2018) is an ode to female sacrifice. Drawing inspiration from Greek mythology, it portrays a young woman who longs and waits for her lover, existing in a state described by Euripides in Alcestis as “both alive and dead.”
